
Keeper of the Plains
Agricultural territories of the United States suggest harshness, rigor, grit, masculinity; but it is the role of the female that provides sustenance, in her interminable silence. Any deviation from these imposed expectations threaten her intelligence, authority, and autonomy. We witness a woman at various points in her life caring for the men and children surrounding her, caring for herself, through the generational knowledge of females past. Both embracing and bucking against the expectations of agricultural life in our modern age, it is a compendium of dreams and the wishes of the female unraveling as heard on the winds of the Great Plains.
NOW PART
OF

Artist Statement
The sounds we make to interact with one another, our environments, our feelings – these are what strike empathy at the core. Hearing stories and watching performers gives us the chance to observe a life perhaps similar and yet unlike our own, creating sympathy and reflection. But when the performance goes beyond well-structured technique into occupying simultaneously the history of the rehearsed text and the present energy crafted in the space by the audience present, that is when empathy is found.
Americans are complicated, resilient, and caring people with a myriad of avenues leading them through life. I believe exposure to the depth of a person, community, or culture is necessary if we are to be inspired to elevate our standards of living. I believe art is the bridge of history to present day and into future possibilities.
Born in the Great Plains, having lived in multicultural DC, the history-rich Appalachia, and now residing the heartland again, I make art that elevates the biodiversity of a region, how we might protect that, and how we might resist and let it inform our humanity. I seek truth in our roots and ways to break the binds that come from them. I seek the sounds we make as we navigate our regional homeland.
I am a mother, a daughter, a sister, a wife and these experiences in life inform all that I do. I create art that amplifies women’s voices, perform knowing my presence defies expectations, demonstrate the needs and power of a parent artist through teaching and working in the industry, and model to my family that a life full of creative fulfillment is necessary. I am telling the stories of the persistent women in my life and in lives lived alongside me.
Productions & Progress
Now part of KC Fringe in July of 2025!
Tickets are $15 (+ purchase of $5 Festival Button) and can be purchased at kcfringe.org


Check out this article The Pitch wrote about me:
Photos from the rehearsal process

Brianne Taylor rehearses the opening of the piece.

Vignettes of the show include foley sound and mime to tell the story.

Fitzmaurice Voicework® was essential in the development of this piece. Here is the Re-Structuring portion, into the rehearsal of text.

Brianne Taylor rehearses the opening of the piece.